Areas of Practice
Awards & Rankings
Legal 500, Next Gen Partner, 2026
Chambers UK, Ranked Individual, 2026
Chambers HNW, Ranked Individual, 2025
Legal 500, Leading Associate, 2025
Chambers HNW, Associate to Watch, 2022 – 2024
Chambers UK, Associate to Watch, 2023 & 2024
Legal 500, Rising Star, 2023 & 2024
Conference Speaking
Sotheby’s Institute of Art
Institute of Art and Law
Publications
A guide to non-fungible tokens (NFTs) – Download here.
Memberships
Professional Advisors to the International Art Market (PAIAM)
Education & Qualification
University College London
Qualified as a solicitor in 2017 and trained with Boodle Hatfield
Recommended by Fred
Simon Fitzpatrick, Fred Clark, Rosie Adcock and Ruby Dyce provide an introduction to the legal and commercial implications of NFTs looking at intellectual property, regulation, smart contracts, consumer rights and litigation.
Read more 3 min read 04 Jan 2023 Boodle Hatfield acts on The Voiceline, an immersive artwork installation at the Strand Aldwych, a major new public space in central LondonBoodle Hatfield’s arts team have advised the Northbank Business Improvement District on the installation of The Voiceline.
Read more 3 min read 08 Jun 2026 Celia Lloyd Davidson speaks at the AIM Conference 2026This week, Legal Director, Celia Lloyd Davidson will be speaking at the AIM Conference. She will deliver a session on ‘What museum professionals need to know about commercial contracts’, sharing practical guidance on key risks, red flags and sector-specific considerations. Drawing on her experience advising arts and heritage clients, as well as previously working within a national museum, Celia brings a distinctive and highly practical perspective.
Read more 3 min read 21 Apr 2026 Stolen art and rapid museum heists: why famous works still hold valueWhy are high‑profile artworks still being stolen when they cannot be sold openly on the legitimate market? Fred Clark, Partner and Arts & Culture specialist, comments in the Financial Times on the rise of rapid museum heists and explains how stolen artworks can continue to retain value within criminal networks as collateral, leverage or trophy assets. He also explores the tension facing museums, whose open and public nature can leave even leading cultural institutions vulnerable.
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